contemplate my toes,
nails painted moonbeam black (are beams black?)
and the tops of my feet,
with aloe grease,
and bits of sand,
grainy against raw skin.
laughter floats up,
laughter floats up,
answering voice is low,
somber, in drink
soured reek of seaweed,
cloying in this heat
languishes in the twilight
and my damp,
salt soaked hair
sticks to the side
of my flushed cheeks
idly, i sip
from a plastic
dixie cup
and
swish sweet white wine
through my teeth
air conditioner,
weak strains
rusted red, time- worn
blows, stale and chilly
hum muffled
by a clouded,
sliding glass door
weak strains
from the clock radio
escape
Otis Redding sighs
in my ear
I’ve
been……. loooving you,
for soo looong now
shamelessly bleeds
into the lull of the surf,
briny against the craggy,
jagged shore
muted mourning
of the sea gulls
wrenches me
from the inside out
devastatingly beautiful
devastatingly beautiful
in its gritty allure
-LS-
In the summer, I take Caden to the gulf. Galveston Bay. Usually,
it’s just the two of us. It’s one of my favorite places to go. I do realize
it’s the redheaded stepchild of the beaches, but there’s something so
enchanting , so alluring about its grit. The mess of seaweed, twisted, bunched
on the beach. The ramshackle, salted wooden houses, wasting away- their ratty,
threadbare curtains, a placid, slight movement in the dark windows. There are
so many stories to be found, it seems, down each crumbling, broken road, and each will eventually lead you down to the
coarse, rocky beach. We stay at the Commodore. It’s old.
Cheap. Brick walls. Faintly stained curtains. Sliding glass doors that
don’t latch all the way, so a layer of salt coats the mirrors. I adore that
hotel, because every room faces the ocean, and every room has a story. At night, after little dude
falls asleep, buried, underneath sheer sheets, sweaty hands clutched around his
worn, cotton stuffed tiger, I step out on the balcony, plant my ass down in
the plastic lawn chair, and just breathe. And
think.